Free Essays on Mythic Tragedy

Hydra was a beautiful island†¦and then the plague came. The farmers of Hydra took great pride in their crops and livestock. Their beasts of burden were admired throughout the land because of the highest quality of health they possessed. So naturally, it came as a shock when the first oxen were discovered dead lying in the plains. Suspicions arose as to the cause of their sudden deaths. Many physicians analyzed the dead carcasses, but found no abnormalities in the slain animals. Then little by little, more farmers began to lose their cattle to the same irrational disease. It was thought that by quarantining the animals from the general population, the growth infection could be controlled, seeing as how the farmer’s centurion population had been not noticeably been infected. But those who had been assigned as caretakers of the remaining flocks, which had dwindled to a handful, began to exhibit certain behavioral changes. Their tempers were quickly ignited, and they we re prone to violent bouts. But with the continuing intermingling of the caretakers amongst the general population, the entire centurion fellowship began to erode. Fights were started, family structure began to break down, yet the cause of such sporadic violence and societal degradation was still indecisive. Many who had seen the effects of the contamination fled the so-called safety of the clan of centurions, only to be hunted down by the psychologically changed centurions. One was fortunate enough to make it to the sure after capture and severe torture...beaten almost to the point of death he struggled toward the coast, freeing a boat from the docks used for various trades in agriculture. In an effort to escape the wanton bloodshed and demoralized culture now becoming rampant in his once beloved home land the lost centurion wrecked his boat on the shores of Anelis. Stumbling upon the rocky cliffs, the waves pummeling his weakened body, he hears the sounds of lifeï ¿ ½... Free Essays on Mythic Tragedy Free Essays on Mythic Tragedy Hydra was a beautiful island†¦and then the plague came. The farmers of Hydra took great pride in their crops and livestock. Their beasts of burden were admired throughout the land because of the highest quality of health they possessed. So naturally, it came as a shock when the first oxen were discovered dead lying in the plains. Suspicions arose as to the cause of their sudden deaths. Many physicians analyzed the dead carcasses, but found no abnormalities in the slain animals. Then little by little, more farmers began to lose their cattle to the same irrational disease. It was thought that by quarantining the animals from the general population, the growth infection could be controlled, seeing as how the farmer’s centurion population had been not noticeably been infected. But those who had been assigned as caretakers of the remaining flocks, which had dwindled to a handful, began to exhibit certain behavioral changes. Their tempers were quickly ignited, and they we re prone to violent bouts. But with the continuing intermingling of the caretakers amongst the general population, the entire centurion fellowship began to erode. Fights were started, family structure began to break down, yet the cause of such sporadic violence and societal degradation was still indecisive. Many who had seen the effects of the contamination fled the so-called safety of the clan of centurions, only to be hunted down by the psychologically changed centurions. One was fortunate enough to make it to the sure after capture and severe torture...beaten almost to the point of death he struggled toward the coast, freeing a boat from the docks used for various trades in agriculture. In an effort to escape the wanton bloodshed and demoralized culture now becoming rampant in his once beloved home land the lost centurion wrecked his boat on the shores of Anelis. Stumbling upon the rocky cliffs, the waves pummeling his weakened body, he hears the sounds of lifeï ¿ ½...

Business Coursework

Business Coursework Business Coursework Any student attending business courses has to write a business courseworkat some point in their academic career. Actually, business coursework may weight up to 50% of your final grade. Thus, students should be very responsible with regards business coursework writing. You cannot handle such a project overnight, as you have to devote enough time to writing, organizing ideas, researching thoughts of others, and editing your final draft of business coursework. Business is complex study and it includes a lot of themes for discussion. Any them can be interpreted into the topic anyhow related to it, so while choosing the topic you should be sure that you are keen on it and, very important, that you can add something new into the current knowledge on the topic. It is of primary importance to use the most relevant, updated resources for your business coursework writing: Moreover, you should rely on journal and magazine articles, books, and governmental sites only to support your statements. Wikipedia, personal blogs, or forum postings are not treated as reliable sources of information and it will not help you get a good grade. Business coursework should: have a good topic for discussion. It must not be too narrow as well as not too wide, because in the first case you will have to search for the needed material and maybe to pay for the information; while in the second case you will not include all the information into one business coursework.There is a danger of the treading water. Thus, be wise with the choice of sources. be planned in advance. It is not easy to conduct thorough research. You will have to collect material, search for the questions, write an outline and format your paper and many other things to do. If you do not think over the sequence of ideas, the chaos will be the defining feature of your business coursework.Start working. be written according to the required structure. You have heard a lot of times that any written assignment should be done in the following structure: introduction, body parts and conclusion, - but you do not know that introduction should contain the thesis statement, the body parts should have as many paragraphs as many thoughts you want to develop in thebusiness coursework, the conclusion should be written according to the introduction and include your own solutions to the problem. So structure properly. You may avoid all of these painful aspects of business coursework writing process if you rely on professionalism of our writers! We can definitely deliver a well-written coursework on time. Satisfaction with quality guaranteed! Interesting posts: Cause and Effect Essay Argumentative Essay Topics English Essay Writing Thesis Writing Thesis Topics

End of Life Paper Essay Example | Topics and Well Written Essays - 1000 words

End of Life Paper - Essay Example (Morgan, 2009). The parents, siblings and the health care providers are only left to grieve the loss of such a young life. The primary philosophy behind palliative care is to assist the patients and their families in achieving the best quality of life and to die peacefully and comfortably with dignity. For children, it is the active total care of the child’s body, mind, and spirit, as well as a means of providing support to the family. Part one of this paper will address the kind of nursing care needed for children who are dying and things to be taken into consideration for dying children. There are common diagnoses that affect the length of life of children including prematurity, chromosomal defects, cancer, AIDS, congenital anomalies among others. However among the diseases considered to be life-limiting, the one ignored most and considered not to be palliative care is the wound care. Though contradictory, child patients nearing their death can benefit from the curative aspects of wound healing. A wound can have a devastating effect on the child patient’s quality of dying thus one kind of care that I would engage as a nurse. Dying is a natural part of life and is usually filled with mixed emotions and times of reflection for both the dying person and the caregiver. However when a child dies, it seems like a massive failure that such a young life had to be lost. Seated next to her bed, my niece could barely talk. It was difficult to accept the fate of our beloved child; letting go of the hopes for a long-term future with her. As a nurse and her caregiver, I had to accept what was happening including my role as a caregiver with new demands and duties; making her comfortable. It became obvious that taking care of a child or teenager with such a life-limiting condition is a daunting and challenging task emotionally and practically as it requires specific support and skills, unlike for an adult suffering from such conditions.

MANAGEMENT PRINCIPLES Term Paper Example | Topics and Well Written Essays - 1250 words

MANAGEMENT PRINCIPLES - Term Paper Example He said, â€Å"Will the principles have any management code?† in his discussion, it shows that his principles came to shape the management of most organizations that were in existence and those to come. To date, his principles have formed the basis of management. However, management is not complete without leadership principles. Good leaders are managers and know what and how to manage. In espoused Stauffacher leadership principles, it is the full integration of management principles. Division of work: - it is clear that specialization by employees increases the output since they become increasingly efficient and skilled. The idea is to produce more and better outcomes using the same effort. This principle forms the basis of the modern economy which allows an increase in productivity. When my father bought another new car, I thought he would give me the old model. Ironically, he showed no interest to my plea. One day, we organized for a trip to the coast. As we were three sons, he decided that he will assign us various duties. It was not a punishment, but it was a way of making us learn something. He had been a senior manager for nearby tea estate and more often he had been applying his skills. I washed the car; my younger brother fetched the water while my elder brother dusts the seats. Since we wanted to go, we had to prove our desire by working diligently and committedly. In my little knowledge, I did my work because of the reward- going for a trip. Little did I know that it was one way of managing a small family. This will make every worker perform efficiently in his/her area. The overall outcome would be higher than no division of duties. In our house, we have employed people to assist us in daily chores. Since they cannot perform equally, we have assigned them duties according to their specialization. Some may work in the kitchen while others in the garden. The results would be

Compare Plath and Larkin Essay Example for Free

Compare Plath and Larkin Essay Compare and contrast the ways in which death is portrayed in Philip Larkin’s poem ‘Days’ and ‘Ambulances’ and Sylvia plath’s ‘Lady Lazarus’ and ‘Death and Co’ The poems i am going to analyse are: †¢Lady Lazarus †¢Death and Co †¢Ambulances †¢Days It is understatement to say that both Sylvia Plath and Philip Larkin have immense depth and subsidiary meanings to their poems, both writers expertly structure their poems and used varied techniques to convey their themes of death and instil their messages to their readers. Plath goes about it an autobiographical manner and parades death as a theatrical show leaving the audience in shock and awe however Larkin presents death in a rather trivial manner in comparison to Plath. He juxtaposes the everyday street scene with horrific. He uses the ambulance as a momentary that death is every present and our lives ultimately lead to the journey of death. The oxymoron Lady Lazarus is significant to the poem. Lazarus, originally a man who is raised from the dead by Jesus is feminised and turned into Lady Lazarus. Plath summarises what she feels; â€Å"the terrible gift of being reborn†. The alliterative form of address â€Å"Lady Lazarus† liberates herself from the irrevocable influence of the male figure portrays her idea of feminine superiority over men and how women should excel over men in whatever they do however Larkin’s title â€Å"Ambulances† is a noun that is commonly associated with the negative imagery relating to accidents,hospitals ,blood, injuries and most importantly death. Both writers use lexical techniques to convey their outlook and opinion on the theme of death; some of which consists of rhyme, rhetorical devices and their choice of vocab. Rhyme is used in the first stanza as Plath declares â€Å"I have done it again/One year in every ten† she emphasises to the equal repartition of her near-death experiences and holds connotations of her suicide attempts, â€Å"one year in every ten† and one being premeditated at this stage. Plath speaks in hyperboles to emphasize her suicidal intention and her need to control her death and become a â€Å"walking miracle†. The pre modifier â€Å"walking† illustrates the fact that despite her many near death experiences she is still alive and ready as ever to attempt another suicide experience. The uoyant noun â€Å"miracle† that Plath describes herself as, demonstrates to the reader just how romantically Plath thinks of death to be and how her ending her own life is a seemingly phenomenal way of dying. In comparison to this, Larkin contrasts his lexical techniques in oppose to Plath, he begins with the first stanza being a dramatic, alliterative opener. The vehicles are â€Å"Closed like confessionals† and are â€Å"giving back none of the glances they absorb†; like a corpse. The alliterative statement â€Å"closed like confessionals â€Å"illustrates the Roman Catholic idea of confessing sins to a priest in a â€Å"closed† box. This also outlines the poems religious nature and demonstrates to us the religious idea of death which connotes it of being like a â€Å"closed† off box a coffin. This also depicts the closed off nature of death and how once a person dies everything, they are sealed off from the world, an end to everything. Larkin uses enjambment to emphasize the disconnection between people and death throughout the poem. In the first two lines, the lack of punctuation ironically causes the reader to stop at the end of each line. This symbolises the separation between the ambulance, and the city it is travelling through, as well as the glances the ambulance takes in. In the fourth stanza, Larkin uses enjambment in five out of the six lines, demonstrating the isolation of death throughout society. Specifically in the last three lines and into the last stanza, Larkin reveals that what unites one another across the years, at last falls apart there (in the ambulance and at the hospital), while connecting all four of those lines. Vocabulary is also an element used by Plath to depict death; her language register is bold and informal. The vocabulary and rhythms make out the conversational speeches within the poem and make them out to be colloquial and everyday spoken, the frequently end-stopped lines, the repetitions which have the effect of mockingly counteracting the violence of the meaning, all establish the deliberately dismissive note of death which Plath strives to achieve.. At times the tone is hysterically strident and demanding: â€Å"unwrap me hand and foot— The big strip tease. Gentlemen, ladies These are my hands My knees. Iambic pentameter is also used in Lady Lazarus because it mimics the rhythm of conversational speech and makes it closer to spontaneous speech. This also highlights Lady Lazarus aural quality as it is meant to be read aloud which emphasizes it rhetorical intensity and perhaps the power that Lady Lazarus has gained throughout the poem â€Å" I am your opus I am your valuable The pure gold baby† The spontaneous structure of the poem emphasises the emotional and physcological disintegration of Lady Lazarus and how she speaks spontaneously out of pain that she is feeling form her suicidal attempts On the contrary, Larkin also used five groups of six lines of poetry (sestet) of iambic trimeter and roughlythere are some irregularities, a, with the first and last lines of each sestet rhyming, and the middle rhyming â€Å"a–b-a-b† like a ballad. The second stanza, only the first and last lines have been ended with punctuation leaving everything in the middle flowing. The women in the shops are detached from the Wild white face inside the ambulance. The third stanza all ends with punctuation, excluding the first line. This one exception is very isolated within the stanza as it is the only line left to flow. The flow emphasizes that the solving emptiness is not an obvious encounter which we face every day. The â€Å"solving emptiness†, a description of death, lies just under all we do, not exposed. Moreover, Plath employs and uses unique language features to express her emotion; â€Å"soon, soon the flesh/the grave cave † repetition is used to emphasise her point across to the audience, she also repeats â€Å"soon† twice to comfort the audience as well as herself; this also correlates to Plath’s idea of death and how it is a welcoming experience not to be terrified by, something that makes her feel â€Å"at home†. To the readers and audience itself it is something disorientating and a lonely discomforting concept, but to Plath and her persona Lazarus, it is something they embrace with open arms and are anticipating it â€Å"soon†Ã¢â‚¬ ¦ However, Larkin goes about his language features differently; so much so that Larkin hardly uses devices such as repetition, exclamation , but rather settles for an indirect approach to his language, the only apparent use of language feature is the distinctive italic fronted text â€Å"poor soul† ,this highlights and emphasises the point Larkin wishes to make and also is his idea od the reaction given to the audience and the reader. This again relates to Larkin’s idea of death and his opinion being in total contrast to Plath. For Larkin, death is a dreadful thing, a cold, merciless, selfish thing and when death strikes it only can be described for the prey of death as â€Å"poor† which Larkin does, to have pity on those death has taken. †Soul† has In Lady Lazarus the audience are the spectators watching the performer show off her daring acts in order to prepare her to die. She in other words entertains the audience by producing her own death in a rather erotic manner. The audience is shown the grim reality of death through the pre-modifier ‘peanut-crunching’. This illustrates to the reader just how engrossed the audience is in watching Lady Lazarus attempt her suicide and are absorbed in the strangeness of her death and robotically carry on ‘crunching’ on their peanuts oblivious to just how dismal the death of Lady Lazarus is . Showmanship is portrayed through the use of first person â€Å"I† throughout the whole poem and the audience seems to develop a â€Å"charge† from the gothic striptease Lady Lazarus puts on for them or perhaps a charge the audience have to pay for watching. Using the metaphor â€Å"charge† gives connotations of the audience wanting a show, watching â€Å"Lady Lazarus† unwrap herself ,restored to life â€Å"The big strip tease† indicating sexual connotations of the audience being largely male and receiving some sort of sexual fulfilment from this. Plath also portrays her rather freakish desire for death by questioning the audience directly â€Å"O my enemy/ do I terrify? † The vocative â€Å"O† along with the possessive pronoun â€Å"my† directly challenges the audience as if the audience are somewhat responsible for the suicidal state that Plath is now in, intimidating them as she challenges them. The â€Å"O my† could also be taken as a form of loving address to her lover. If put next to ‘enemy’ it reflects her feelings about death as if it I something to long and lust for however death is all something that is utterly terrifying at the same time as it is a mystery to all of us. It also adds a sense of awkwardness throughout the poem as the reader begins to wonder about death and what appears in the afterlife. The audience also feels partly responsible for Plath’s terrible state and are also blamed for causing her death in such a manner. The rhetorical question â€Å"do I terrify† not only involves the audience directly, but also threatens the audience rather mockingly as if the answer to the question should be nothing but a yes. The verb â€Å"terrify† portrays Plath’s dual state, just like the Nazis she will not hesitate to inflict pain upon herself in order for her to die yet just like the Jewish race she fades beneath a strong force as she begins to doubt whether she is capable of ending her life. This again increasingly adds to awkward uncomfortable nature as audience beings to wonder what kind of miserable state she will be left in when she dies. However the audience in â€Å"Ambulances† are the people (mainly middle class) that are around where the death has taken place. They are the â€Å"children strewn on steps† and â€Å"women coming from the shops†. Here the normality of life trivialises the horror of death as ordinary people carry on living their life. They are watching horrifically as the body comes in. The audience here is rather sympathetic and empathise with the person that has just died. â€Å"Poor soul/they whisper at their own distress†. Using the verb â€Å" â€Å"whisper† Larkin wishes to portray how the audience not only whispers out of remorse, pity and respect for the person that has just died but also whisper because they feel a sense of relief and thankfulness that the person that has just expired was not themselves or their loved one. Here Larkin shows us the selfish nature of man and how man despite everything shall always care about them; in essence leaving everybody walking on their own. Through this Larkin shows us how death is, death shall leave every person unaccompanied and everyone shall be no one. Death is selfish and when the appointed time, death shall not wait and indeed â€Å"All streets in time are visited†. The visitor being death personified through the use of a vehicle, the Ambulance. The ambulance here is death. And Larkin portrays the randomness of death and how unexpected it can be by the use of the preposition â€Å"in† and the noun â€Å"time†. Here Larkin reminds the reader than death is inevitable and is always there, a god like figure. Larkin also presents the idea that the audience, the â€Å"onlookers† forgot about death yet are reminded when a death appears around their life and the â€Å"fastened doors recede†. The audience are perhaps morbidly fascinated by death as it appears strange to them but then the audience then begins to realise the â€Å"emptiness/That lies under all we do† and for a moment the audience understands that life has only one certainty; death. The title of the poem Death Co title is an etymological, lexical technique in itself and is employed by the writer to change the perception of the reader, for the reader to be open minded and to grasp the writers idea. The â€Å"co† referred to in the title refers to a business which begins to establish the ironic and mocking mood of the poem,. Death is often viewed with incongruity, something that coldly takes away life yet offers comfort to those who are in pain or believe in an afterlife. This again links to the idea of death being a business because the persona asserts that â€Å"there are two† referring to the two individuals that make up the entity called â€Å"Death and co†. To the persona it is â€Å"perfectly natural† that there are two people because a business must be compromised of at least two people. In Death Co the persona asserts that, â€Å"there are two,† personifying death the two individuals who make up the entity called Death Co. She comments that it is natural that there would be two, as most companies are made up of at least two people. The individual â€Å"exhibits // birthmarks,† and the speaker proclaims that they are â€Å"his trademark. † This claim subsumes the title of the poem, metaphorically revealing the business which is â€Å"Death Co. By doing this the ide of death is bought closer to the persona as it now becomes a threat that is visible and is standing before the narrator. † Sibilance is used to describe the trademark â€Å"the scald scar of water†. The effect of the assonance is that it creates harsh violent sound and emphasises the cruel and punitive nature of the partners in Death Co. Larkin however does not use his metaphoric objectified technique in the title but rather from within the poem itself. In the second stanza Larkin uses the â€Å"priest† and the â€Å"doctor† as symbols of different sentiments and values of â€Å"death†. The priest being a man of religion and the doctor symbolic to a man of science who both serves in â€Å"solving that question†; two people obsessed with the mystery of death appears after the question has been solved. The â€Å"priest† coat is black which represents death and he helps the person from moving from this life to the next. The â€Å"Doctor† coat is white which represents life as the doctor tries to revive the person. This again has connotations of conflict between science and religion Plath begins by using repetition of numbers â€Å"two of course there are two†. She is reasserting that death has come in two living forms before her. One of them looking grotesque, â€Å"whose eyes are lidded† and the other is attractive having â€Å"long and plausive† hair yet dangerous . She does this to juxtapose the idea of life and death, the fact that two mortal creatures are bring about her lifeless state. The two figures create a sense of fear within her as she finds it difficult to name the two. â€Å"he tells me how badly/He tells me how sweet†. The repetition of Second person pronouns and the juxtaposition of her divergent feelings towards death emphasises how at times death appears inviting and perhaps more easier alternative to life difficulties yet the sheer fact of suicide perhaps restrains her form ending her life as the fear of the unknown in the afterlife haunts her . Which perhaps emphasizes her fearful yet unrecognisable feelings towards death. She fears death and the reader can see that Plaths posseses a frightened predatory victimised outlook on death so she cannot find a specific name to address them as or perhaps there is no personal attachment to death as death is metaphorically recognised as a business, it performs it function and then leaves. On the other hand Larkin uses the same rhetorical feature of repetition but in a rather different manner. Days are repeated three times in the first stanza and this repetition forces the reader to think about the meaning of the word â€Å"days† which is the futility of existence ,the inevitable truth that all life must end in death. The reader is compelled to think about what would happen after the days has ended. Larkin gives day a spatial dimension as he describes days as â€Å"Days are where we live†. This raises about how time is measured the nature of it and its artificiality. Days are not a place,not a â€Å"where† but a when and it is in this paradox that leads to the blank response to the second question. †Where can we live but days†. From this question the answerer is now question themselves as they come to realise the inevitable truth behind days ,there is a lack of choice to the answer and the answerer realises that on the other side of dyas is the night which holds high connotations of death and the afterlife something which clearly fright and perhaps intrigues the answerer Once a person no longer has any days left to live in,the only other place that a person can occupy will be a place in his grave The use of a voice or persona is clearly present in both poem’s although again both poets use this craft differently to suit their own methods of portraying death. Larkin does not clearly portray the identity of the voice or the voices the reader perceives in â€Å"Days† however what we do know is that there is a clear distinction bewtween the voice that asks the questions and the voice that answers the questions. The questions that questioner asks are literally simple,naive and appear to be that of a child asking questions rather simple questions. Of course the underlying meaning which lies behing these unpretentious questins is the metaphor of death in the background. The second voice appears to be different and fluctuates throughout the development of the poem. This voice appears to be the answerer to the questions that are asked and answers the question in a rather straightforward manner . The answer to the first question: â€Å"Days are where we live† denotes a matter of fact, mollifying tone as the simple question is answered by an equally simple although equally worrying answer. At first the voice appears to be kindly positive reassuring the childish questioner that days â€Å"are to be happy in† which again holds connotations of death. It tells the questioner and the reader also that the inevitability of death is true so we should live our lives while we have it and enjoy and â€Å"be happy† within it. In the second stanza the answerer adopts a worldly macabre tone almost mocking and cruel as it dryly observes that the only place people can inhibit apaprt from days is death. the questioner is trying to find a simple answer and uses the filler â€Å"ah† to contemplate on what happens after days,the question become a lot of bigger then it initially seemed and the answerer realises there is no simplistic way to answer it and so the â€Å"preist† and â€Å"doctor† are suppousedly the only people that hold the answers to the question However Plath uses two male persona in her poem to portray death and reveal the double or schizophrenic nature of death. The use of male persona’s was chosen deliberately to emphasise the painful awareness of man’s seemingly innate Judas quality just as death can be cruel and snipe away happiness at the last moment.

Irony of Small Trifles Essay -- essays glaspell Papers

Irony of Small Trifles   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In the drama Trifles, Glaspell shows two main view points. That is how the men have the role of being the head of everything and how the women do not get as fairly treated and are only house maids to the men. She characterizes the men as not giving the women the credit they deserve for their hard labors each and everyday. The sheriff, attorney, and neighboring farmer help prove how in the past men were completely superior to women. By showing these two points it makes us feel more sympathetic for the women because of how they are treated. The women always have to go along with what the men tell them, even if they disagree. Since the men are distinguished from the women, the women form their own alliance because they feel empathy for each other. The men and women have seemed to of taken sides against each other. And by the men always hassling the women about their trifles, they are actually working against themselves because the women decide not to give them the information needed to solve the case.   Ã‚  Ã‚  Ã‚        Ã‚  Ã‚  Ã‚  Ã‚  The first view that Glaspell gives in Trifles is that the men are far superior or higher than the women. The men in Trifles show the expected character as we would hear about in the past before women had the rights they do now. The attorney displays this past male figure the best. He is always looking down on the women. For example, in the start he says â€Å"This feels good. Come up to the fire, ladies.† (1249) This shows how he feels the need to tell or allow the women to come to the fire as if they were not able to do it on their own. He also shows this when he says, â€Å"Here’s a nice mess.† (1250) commenting about the house and then says â€Å"Dirty towels! Not much of a housekeeper, would you say, ladies?† (1251) This exemplifies how he expects the women to take care of the house and that it should always be spotless. At this point in the story the attorney gets into an argument with the ladies who try to defend Mrs. Wright. They prove their point in that it is not right for a man to come into a house and complain about the mess when Mrs. Wright did not have time to clean it. The sheriff also displays this hierarchy of men over women. He follows what the attorney says â€Å"I suppose anything Mrs. Peters does’ll be all right.† (1251) Showing that there is not much as harm she could do with that area of the house as if she is ... ...d. So this guilt proves how the women are going to stick together, even more since the murder, and never tell the truth of the matters.   Ã‚  Ã‚  Ã‚  Ã‚  At the end of Trifles we do not really know what happens. I do not think the women will tell on each other because they are sharing the same feelings. The women are loyal to each other and more so to women than mankind. The men in this story show a great deal of non-feminism and have a huge sense of superiority over the women. The women are the victims of this play not the man who is murdered. I think that Glaspell has proved this irony in this story. The women do not even have first names in the story so how could they be at the same standards as the men. In the men’s eyes the women are inferior to them. So they are to ignorant to realize that the case is solved by the women who notice the small trifles. For the men’s actions the women decide not to share their information to protect a friend, with this irony the men will never solve this insignificant murder case in the story. Works Cited ----Glaspell, Susan. Trifles. The Bedford Introduction to Literature. Ed. Michael Meyer. 7th ed. Boston: Bedford/St. Martin’s, 2005. 1044.

Tektronix Global Erp Implementation

1. Why did Tektronix implement ERP in stages? How should a company decide on implementing in stages or going big-bang? Tektronix implemented the ERP in many waves. Each wave delivered a specific functionality for a particular division or geographic region. The concept of waves was important: * implementing in waves allowed to obtain regular feedback * flexibility in scheduling – e. development at MBD took much longer than anticipated – but due to the wave concept there were no major delays in the whole project * easier to gain overall acceptance – it is able to show already first benefits * implement together what is similar allows a more smooth process * frequent victories kept the team moral high and ensured that the Board continued to support the high cost and long timeline of implementation * start with an area that effects all divisions or the division with the lowest complexity a continues learning process. Roll out started with one country (US) after that was successful with key region in Europe and than in larger waves that were implemented more or less together Big bang implantation only for smaller companies with lower complexity or in strongly centralized organization. With a big bang implementation the company looses some of the flexibility of the wave approach and faces higher risks. 2. How did Tektronix manage the risks of ERP implementation? Project steering committee In order to make sure that the overall goals were achieved, a steering committee was created that refined the company’s vision to develop a global business mode.The steering committee set out the overarching guidelines to which the system needed to adhere in order to be successful. In addition, they defined â€Å"Business Pratice Changes and Guiding Principles† to provide more concrete directions for the implementation. Project organization and management To implement these major changes, each of the three divisions had its own worldwide implementa tion of Order Management. The project team included strong leaders of each business division and Neun was given unlimited authority on the implementation. Nobody questioned his authority. Project implementationRisks were reduced by implementation of the ERP in several waves. This allowed a continuous learning process and the independent implementation for the three business divisions. Starting with the division of the lowest complexity allowed later waves to profit from that earlier experience when implementing their special needs. Also there was a more flexible scheduling allowing extended development periods for the individual divisions when required. 3. What is your overall assessment of the Tektronix ERP project? The implementation of the ERP fulfilled all requirements that were initially defined.They never lost track and after implementation were able to improve several processes. Moreover, complexity was strongly reduced and transparency increased, which allowed reducing overa ll costs. In addition, Tektronix recognized its own limitations and outsourced the whole implementation process. They worked together with several consulting and service firms and contributed different task according to the expertise provides by these firms. This process allowed them to stay focus and to implement the ERP in the most efficient way possible.